The performance was created in the phygital genre, it combines digital space and the physical world, on the contrast of which is built the unique setting of the production. Huge robotic arms from LYM inc. were used in the production. Originally designed to assemble cars, the mechanical arms were reprogrammed to take part in concerts and shows. It was the first use of such technology on the opera stage.

The robotic arms acted as terminals to connect Francesca and Paolo's bodies to the cyber-prison where their consciousnesses were imprisoned. The ability of the arms to rotate 360° in all directions allowed us to program them one second at a time to move strictly according to the score, revealing the intent of the musical dramaturgy in such an unusual reading.